I recently blogged about suicide bombing as a repugnant transaction, in the sense that while most of the world condemns it, there are communities or parts of communities that encourage and celebrate it. Now Tyler Cowen blogs about the movie "The Attack" (by a Lebanese director, but banned throughout the Arab world as portraying Israeli bombing victims too sympathetically) and points to this review in the Washington Post: ‘The Attack’: Lebanese director’s film about suicide bombing gets Israeli premiere
"Banned by Lebanon, ignored by Arab countries and praised by U.S. critics, the suicide-bomber drama “The Attack” finally got a splashy sold-out Middle East premiere — in Jerusalem.
"Many people settling into their seats at the recent Jerusalem Film Festival screening in the plush Cinematheque, which overlooks the Old City, had lived through the years when Palestinian suicide bombings roiled Israeli society, killing hundreds of people in crowded cafes, buses and markets.
"Now, as the theater grew dark, Israelis were asked to examine their country’s security equation through the eyes of Amin Jafaari, an award-winning Israeli surgeon of Palestinian background who is shocked to discover that his beautiful wife is a suicide bomber, responsible for a blast at a Tel Aviv cafe that claims 17 victims, including 11 children.
"At first, Jafaari is disbelieving and outraged. Eventually he heads to the Palestinian West Bank city of Nablus to find out how she could have done this.
"There, he finds his wife celebrated as a martyr in posters and handbills, and by hostile extremists who order him out of a mosque. Even his relatives are proud of her. His wife’s young co-conspirator struggles to explain how Palestinian civilian casualties in an Israeli army attack could motivate him to orchestrate such a heinous act.
Tuesday, August 13, 2013
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